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The rainbow farms hemp aid festival 2021 is a stand-off that happened in the Farm. It was a lethal standoff between farmers and thieves.
Bruce Willis is without a doubt one of Hollywood’s most famous action actors. Despite the fact that he is getting older, this superstar shows no signs of slowing down and has a series of titles coming out in 2020 and 2021. ‘Survive the Game,’ his newest action film, debuted in theaters on October 8 and will be available on Apple TV and for rent on October 8, as well as Blu-ray and DVD on October 12. The film is directed by James Cullen Bressack and is based on a screenplay written by Ross Peacock. Chad Michael Murray, Sarah Roemer, Donna D’Errico, Zack Ward, Sean Kanan, Kate Katzman, Swen Temmel, and Michael Sirow are among the other cast members.
The film is essentially a cop drama in which two cops, David (Willis) and Cal (Temmel), are given the opportunity to apprehend a renowned drug trafficking gang that they have been chasing without success for a long time.
The narcotics raid, however, goes awry, and David is shot. However, the task is too vital to allow the opportunity to apprehend the city’s most dangerous criminals pass him by, so Cal resolves to pursue the peddlers before they go. They all find themselves on a rural farm owned by Eric, a damaged war veteran played by Murray, who develops an odd relationship with him. More gang members arrive, followed by a wounded David, before they can find out how to maintain their ground. Now encircled and outmanned, the three must rely on stealth, wits, and marksmanship to bring the drug cartel to its knees.
From his days in the ‘Die-Hard’ franchise, Bruce Willis has enjoyed a successful career as a butt-kicking action hero. His films are well-liked by fans, and he is regarded as one of the genre’s best performers. However, as he ages, he is unable to move as fluidly as he once did, and he seems to be losing his flare, since the most recent films he has landed are not box office hits. Take, for example, ‘Out of Death’ or ‘Midnight in the Switchgrass.’ Either he’s choosing the wrong ventures or it’s time to call it quits.
When it comes to the storyline, it revolves on a botched drug raid that puts a detective team and an ex-soldier against a gang of criminals. The narrative lacks substance, twists and turns, and unexpected occurrences. There is nothing more to it than a few explanatory facts about one or two people.
In contrast to previous well-made detective films in which the main protagonists are as clever and covert as possible in order to outsmart the bad guys, this seems to have sent novice investigators on a high-profile, high-risk assignment. The beginning of the film is dreadful. The lead police are rushing in on a drug transaction because David has been attempting to apprehend the crooks for a long time, and it’s about time they did something new. One of the two inadvertently knocks over a flowerpot while laying in wait, drawing the bad guy’s attention and blowing their cover. Rather of hiding, David, the macho guy, takes a risk and walks out into the open, which is how he is shot in the stomach; luckily, he survives the final battle.
The film sounds like a mash-up of scenes from different films, both current and old. For example, Willis and Murray co-starred in a film called ‘Survive the Night,’ which was released in 2020 and wasn’t very good. In addition, the posters for both films have an eerie similarity. This merely informs the viewer that there isn’t much to look forward to in this title.
The antagonists, who include the nasty pair Mickey and Violet, portrayed by Zack Ward and Kate Katzman, don’t attempt to stand out. The latter goes to great lengths to imitate the iconic DC antihero Harley Quinn, right down to the blonde hair, theatrical makeup, mannerisms, and outfits, all of which are obvious cosplay. One of the henchmen has a Mohawk and wears a green jacket, evoking images of Robert De Niro’s role in “Taxi Driver.” But all of this impersonation of other well-known personalities is amusing to see and offers one something to evaluate based on the original.
Aside from the costumes, people in ‘Survive the Game’ are continuously making threats or aligning themselves around the isolated farmhouse, where everyone ends up as both hunter and prey, and the game quickly becomes a cat and mouse game. Murray’s character Eric, who is in excruciating agony after losing his family in a car accident, owns this business. He’s forlorn and alone, and he has nothing to lose. When all of the strange events arrive at his door, he isn’t scared of being injured or even dying since all he wants to do is defend the one thing he has left, his house.
The speech isn’t the strongest aspect of this story. The few strong lines are ineffective, and the remainder is presented in an unconvincing way. The dialogue between the characters has little effect on the reader. There are certain films where the hero or villain’s words alone are enough to send shivers down one’s spine before they do anything else. Liam Neeson’s statement from the ‘Taken’ series, ‘I will find you, and I will kill you,’ is a perfect example.
What the language lacks in quality is somewhat compensated for in the action scenes. Although they get tedious after a while, they at least keep this function alive. One noteworthy example is the hand-to-hand fight filmed from the interior of a vehicle while another character is knocked out, which demonstrates Bressack’s remarkable inventiveness.
Despite giving a laid-off performance, Bruce is still involved in the turmoil and gets to insult the mafia leader, which isn’t what Bruce is renowned for. It isn’t, however, his poorest effort in recent ventures. Other actors also deliver mediocre performances that will be forgotten once the film is seen.
‘Survive the Game’ isn’t the greatest detective film ever made. It lacks creativity, the narrative lacks depth, the plot is nonsensical, the acting isn’t up to par, the shots aren’t flattering, and it’s full of references and copycats. One would definitely watch this film to point out its many faults, but it is a waste of time when it comes to spending time on a good, well-made action film.
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